From: Democracy Now!
John Pilger, award-winning investigative journalist and documentary filmmaker. He began his career in journalism nearly half a century ago and has written close to a dozen books and made over fifty documentaries. He lives in London but is in the United States working on a forthcoming documentary about what he calls “the war on the media.” It’s called The War You Don’t See.
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JOHN PILGER: Well, the war you don’t see is expressed eloquently by the New York Times, that range of extraordinary media apologists that we’ve just seen. The reason we don’t see the war on civilians, the war that has caused the most extraordinary devastation, human and cultural and structural devastation in both Iraq and Afghanistan, is because of what is almost laughingly called the mainstream media. The one apology, not these apologies that we’ve seen this morning from Fox to CBS, right across the spectrum, to the New York Times this morning, the real apology that counted was the New York Times when it apologized to its readers for not showing us the war in—or the reasons that led up, rather, to the invasion of Iraq that produced this horrific war. I mean, these people now have become so embedded with the establishment, so embedded with authority, they’re what Brecht called the spokesmen of the spokesmen. They’re not journalists.
Brooks writes about a “culture of exposure.” Excuse me, isn’t that journalism? Are we so distant from what journalism ought to be, not simply an echo chamber for authority, that somebody in the New York Times can attack a journalist who’s done his job? Hastings did a wonderful job. He caught out McChrystal, as he should have done. That’s his job. In a country where the media is constitutionally freer, nominally, than any other country on earth, the disgrace of the recent carnage in the Middle East and in Afghanistan is largely down to the fact that the media didn’t alert us. It didn’t report it. It didn’t question. It simply amplified and echoed authority. Hastings has proved—God bless him—that journalists still exist.
AMY GOODMAN: You know, it’s interesting to read the first paragraph of Hastings’s piece. He talks about, yes, this group in a French bar—and, by the way, Rolling Stone said, you should see what we didn’t print, because in fact there were things they said that were off the record. But to say that Hastings violated the off-the-record rule, they said, was not the case. There was many things we didn’t print. But right after they talked about the French—he talked about the French bar and McChrystal and his high officials in the bar, his aides, you know, dancing and singing the words “Afghanistan, Afghanistan,” Hastings writes, “opposition to the war has already toppled the Dutch government, forced the resignation of Germany’s president [and] sparked both Canada and the Netherlands to announce the withdrawal of their 4,500 troops. McChrystal is in Paris to keep the French, who have lost more than 40 soldiers in Afghanistan, from going all wobbly on him.” But this is something most people in this country don’t know, that the US, despite the US-led coalition, the NATO troops, is very much almost going this alone.
JOHN PILGER: Yes, it’s going it alone in terms of the American people. And what journalism, like Hastings, does is represent the American people. A majority of the American people are now opposed to this colonial debacle in Afghanistan. I mean, I was very interested to read what President Obama said about Afghanistan, if I can find it. Yes, here it is. On February the 10th, 2007, quote, “It’s time to admit that no amount of American lives can resolve the political disagreement [that lies] at the heart of someone else’s civil war,” unquote. That’s what President Obama said before he became president. And unless the people of the United States, like the people of Europe, like most peoples in the world, understand that, that this is a long-running civil war, that it needs the kind of sympathy, if you like, for the people of Afghanistan—it certainly doesn’t need this brutal imposition of a colonial force there.
Now, that happens to be a truth that the likes of Michael Hastings and others are expressing. But it’s also a forbidden truth. And the moment you even glimpse that truth in the United States, the kind of barrage that—the grotesque sort of cartoon barrage of Fox, right up to the rather sneering barrage that comes from the New York Times, through to CBS and so on, the barrage against truth tellers becomes—Amy, we’re dependent now on the few Hastings, but also on whistleblowers. The most important exposé was the Wikileaks exposé of the Apache attack on those journalists and children in Iraq. And here they are prosecuting the whistleblower, when in fact those responsible should be prosecuted. But that’s verboten now.
JOHN PILGER: Yeah. Well, there is a war on journalism. There’s long been a war on journalism. Journalism has always been—I mean, if you read, let’s say, General Petraeus’s counterinsurgency manual, which he put his name to in 2006, he makes it very clear. He said we’re fighting wars of perception—and I paraphrase him—in which the news media is a major component. So, unless the news media is part of those wars of perception—that is, that not so much the enemy that is our objective; it’s the people at home—then, you know, they’re out. They’re part of—they can easily become part of the enemy. And as we’ve seen in the numbers of journalists who have been killed in Iraq—more journalists have been killed in Iraq, mostly Iraqi journalists, than in any other war in the modern era—there is a war on this kind of truth telling. And we’re seeing this—another form of this attack on truth telling by the likes of Fox and CBS and New York Times this morning. It embarrasses them. What Hastings has done deeply embarrasses these apologists.