From: Veterans Today
Roots of the Rape Crisis in India and the Jewish Influence on Bollywood
By Jonas E. Alexis on December 30, 2016
In 2002 the CIA collaborated with Israel’s Shin Beth in broadcasting pornography over Palestinian TV stations in Ramallah during one Israel’s periodic incursions into Palestinian territory. During the run-up to the 2003 invasion, the CIA contemplated doing a pornographic featuring a double who looked like Saddam Hussein, as a way of de-legitimizing his government.
E. Michael Jones (Ph.D. Temple University) is a former professor and is the author of numerous scholarly studies, including The Angel and the Machine: The Rational Psychology of Nathaniel Hawthorne, Monsters from the Id: The Rise of Horror in Fiction and Film, Dionysos Rising: The Birth of Cultural Revolution Out of the Spirit of Music, Degenerate Moderns: Modernity as Rationalized Sexual Misbehavior, Libido Dominandi: Sexual Liberation & Political Control, The Slaughter of Cities: Urban Renewal as Ethnic Cleansing, Ballet Parking: Performing the Nutcracker as a Counter-Revolutionary Act, and most recently Barren Metal: A History of Capitalism as the Conflict between Labor and Usury. Jones is the editor of Culture Wars magazine.
Jonas E. Alexis: I was reading a number of articles the other day on the rape crisis in India and it was quite interesting to observe that no serious journalist has really gotten to the heart of the matter. …
You have done exhaustive research on the Jewish influence on Bollywood, the Indian version of Hollywood. Tell us about the rape crisis in India in minute details and describe how Bollywood itself has facilitated that perennial problem. It seems that these issues go back to Jewish revolutionaries such as Eve Ensler and Wilhelm Reich, the author of the Vagina Monologues and the Sexual Revolution, respectively.
I was surprised to learn that the Vagina Monologues has been performed even at a male prison! This is certainly an epidemic issue which needs to be discussed in a rational and historical fashion because it has moral and intellectual consequences for the entire world. Unpack this complex puzzle for us here.
E. Michael Jones: The answer to the rape crisis was, in short, feminism and social engineering. …
The Vagina Monologues was a piece of Reichian agit-prop that promoted Lesbianism, masturbation and child molestation among sexually conservative populations (Ensler [author of VM] admitted targeting the campuses of universities with religious affiliation) in the name of curbing violence against women.[iv]
The purpose of The Vagina Monologues, especially as performed on college campuses across the United States, is to break down the natural sexual reserve and modesty of the largely female teenage performers and audience as a prelude to colonization. It was a classic instance of sexual liberation as political control. …
Jewish involvement in the Hindi film industry began with Jewish actresses, who were both lighter skinned than their Hindu and Islamic counterparts and willing to break the taboo banning women from performing on screen.
Shalom Bollywood: The Untold Story of Indian Cinema “reveals how these Jewish stars, working with other Jews in Bollywood, pushed the boundaries of Indian cinema to make Bollywood what it is” today.[x]
In “The Jews Who Built Bollywood,” Zeddy Lawrence claims that the first actresses in the Hindi film industry were Jewish. They succeeded because respectable Indian women would not act on stage and because Jewish women, who often took Muslim names, were willing to “show their flesh.”[xi] …
According to Ha’aretz, the Jews succeeded because they were willing to “push the boundaries of Indian cinema.”[xiii] That, of course, is precisely what the Jewish filmmakers were doing in America at around the same time. …
The arrival of satellite TV and the Internet flooded India with sexual imagery, immediately nullifying the government’s decades’-long attempt to preserve the moral order through censorship of the film industry. …
“After her bad experience in Aitraaz, Chopra publicly declared her determination to no longer, as she put it, “expose.” In a January 2005 interview with the Bombay times, Chopra asserted her new identity as a modest woman: “I hate the ‘sexy/seductress/sizzling’ tags I have.” …
Chopra concluded her Filmfare interview by vowing: “I will not kiss or expose from now on . . . .”[xl] …
At this point it became necessary to import foreign actresses to “expose.” Sunny Leone, the American porn star, arrived in India in 2011. …
Then the December 2012 rape of Joyti Singh and the subsequent international uproar that it caused threw a monkey wrench into Sunny’s career plans. Now Indians saw Leone as the epitome of everything that was wrong with India. …
By the 1970s, when both Penthouse and Playboy enjoyed their heyday, the CIA began to make use of pornography as one of the weapons on their arsenal of psychological warfare.
In 2002 the CIA collaborated with Israel’s Shin Beth in broadcasting pornography over Palestinian TV stations in Ramallah during one Israel’s periodic incursions into Palestinian territory.
During the run-up to the 2003 invasion, the CIA contemplated doing a pornographic featuring a double who looked like Saddam Hussein, as a way of de-legitimizing his government.[xlix]
In the mid-‘50s the CIA actually produced a pornographic film to bring down President Sukharno of Indonesia.[l] But by the 1970s, it had become clear, if for no other reason than the simple division of labor, that the production of pornography could be out-sourced to people like Guccione [publisher of ‘Penthouse’], whose magazines had become more popular with soldiers in Vietnam than Playboy.
Entire Article w/Footnotes
